Phoenix DVD Blog

Underworld – A Franchise That Nearly Had It All The Underworld series is one of those franchises that quietly built a loyal following without ever quite getting the credit it deserved. It had a strong identity from the beginning, a gothic aesthetic, a clear mythology, and most importantly, a simple but compelling idea: What if vampires and werewolves weren’t monsters in the shadows… but organised, feuding clans with history, politics, and grudges? For a while, it worked brilliantly. Then, somewhere along the way, it started to drift. I have the quadrilogy Box Set, I believe there were no plans for another movie when this came out but that changed with the release of Blood Wars. A Strong Beginning (2003–2006) The original Underworld laid the groundwork perfectly. It introduced Selene, the war between Vampires and Lycans, and a hidden world operating beneath modern society. The tone was dark, stylish, and surprisingly focused for what could have easily been a throwaway action ...

I watched the first two episodes of the 1966 Batman series this week and was surprised at how little introduction there was. The Bat-Signal was already installed. The red phone was already sitting on Commissioner Gordon’s desk. Batman and Robin were fully operational. No origin story. No trauma. No explanation. Just… Batman. And that got me thinking about how much the character, and superhero films in general, have changed during my lifetime. The Mythic Simplicity of 1966 Batman was pure colour and camp. Episodes were 25–30 minutes. Stories ran across two nights. Villains were theatrical. Fight scenes exploded with “POW!” and “BAM!” on screen. There was no interest in exploring Bruce Wayne’s psychological wounds. The show assumed you knew who Batman was and simply wanted to watch him outsmart flamboyant criminals. It feels lightweight today, even silly at times. But it also feels confident. Batman wasn’t brooding. He wasn’t conflicted. He was civic-minded, polite, and morally upright....

 If you’re looking at your DVD collection and thinking of selling, the first question is obvious: “What are these actually worth?” The honest answer? Less than you hope but sometimes more than you expect.  If you’re still on the fence about selling at all, you might also want to read my post Why Selling Your DVD Collection Might Be a Mistake , where I explain why collectors sometimes regret letting physical media go too quickly. Let’s break it down properly. The Harsh Truth About Standard DVDs Most mainstream DVDs from the 2000s: Mass produced Widely available Frequently reprinted Typical resale value: €1–€3 each in bulk Maybe €3–€5 individually if in excellent condition Selling 100 DVDs doesn’t mean €1,000. It often means: €150–€300 if you’re lucky Or far less if selling as a job lot That’s the market reality. I wrote more about where physical media stands today in my post Is Disc Media Dying or Just Waiting for Its Comeback? , if you w...

I didn’t grow up glued to the television. Most of the time we were outside, doing whatever kids did before screens followed you everywhere. TV filled the gaps rather than defining the day. When it rained, though, plans changed quickly, and whatever happened to be on usually stayed on. Because of that, my memories of a lot of 1980s TV are a little hazy. I didn’t follow every series religiously, and I almost certainly watched many of them on second or even third runs. In Ireland, shows often arrived well after their original US broadcasts, and episodes weren’t always shown in sequence. RTÉ seemed to buy what was popular rather than what was current, and as viewers we just went along with it.

There’s a quiet trend happening right now. In truth, it has probably been happening for several years. People are looking at their shelves. Boxes. Cabinets. Spare room stacks. Rows of DVDs and Blu-rays that once meant something, now taking up valuable real estate. And they’re asking: “Do I really need these anymore?” Streaming is easy. Instant. Clean. No clutter. Your TV has apps. Your phone has apps. Everything is “available”. Until it isn’t.

The Shows You Watched Without Planning To Some of the most influential TV shows I grew up with weren’t weekend events at all. They were weekday fixtures, the kind of programmes that just appeared on the screen after school or early in the evening. You didn’t plan around them. You didn’t record them. You simply watched because they were on, and because they were endlessly rewatchable. If Saturday mornings felt like an event, something I explored in Saturday Morning TV – When Entertainment Was Simple (and Worth Owning on Disc) , weekday television was different. It was routine. Reliable. Almost background noise at times, until suddenly a theme tune would pull you in. These shows didn’t rely on long-running story arcs or cliffhangers. They were designed to drop you straight into the action, tell a complete story, and reset everything by the end of the hour. That made them perfect weekday television, and perfect for young viewers. Some of them also overlapped with the sci-fi influences I l...

In the early to mid-1980s, television in Ireland was a very different thing. We had two channels , no remote control wars, no on-demand, and absolutely no expectation that TV would bend to us. You watched what was on, or you watched nothing. Saturday mornings were special though. RTÉ’s Anything Goes became a kind of unofficial ritual, a block of colourful, slightly chaotic programming that felt designed to wake you up gently after the school week. What mattered wasn’t whether the shows were new, or even from the same decade. What mattered was that they were entertaining, familiar, and fun. Most of what aired were repeats of American shows from the 1960s, although I don’t think I was even aware of that at the time. Nor would I have noticed if episodes were shown out of order, or if there was meant to be a longer narrative running through the series. That simply wasn’t how television worked for us then, and it didn’t matter. Why Classic TV Was Built to Stand Alone A lot of classic ...